#Alice in wonderland movie movie#
#Alice in wonderland movie series#

It seems the Red Queen has taken over most of Wonderland and the AliceвЂ™s help is needed to set things right and restore order to the world. While we get the same voiceover intro from the Hatter and shown the rest of the characters as they realize Alice is back, weвЂ™re also shown why her return to Wonderland is important. The later theatrical trailer shows off a bit more of the filmвЂ™s story. IвЂ™m firmly on DisneyвЂ™s side in issues like this as I donвЂ™t think leaked items should be posted. The trailer, unfortunately, got leaked a bit early and wound up resulting in some negative press for Disney, who then got blasted for requesting that the trailer be pulled from the sites hosting it.

#Alice in wonderland movie movie#

ThereвЂ™s no plot to speak of, this spot is just about showing the audience the look and feel of the movie and hoping weвЂ™re intrigued by and sucked in to the visuals. We get quick introductions to most of the main characters вЂ“ the White and Red Queens, the Cheshire Cat and everyone else вЂ“ before weвЂ™re finally shown Depp as the Mad Hatter, who chides Alice for being late. The teaser trailer, released a couple months after Comic-Con, starts off with Alice вЂ“ now a grown young woman вЂ“ falling once again down the rabbit hole and once again swallowing the potion that shanks her down to size. It makes a ton of sense for this to be used since Depp is going to be the main draw here for audiences who have been wowed by him and his performances in the Pirates of the Caribbean movie and more. The middle one of those posters, the one featuring The Mad Hatter, also then served as the theatrical one-sheet for the movie, with a credit block added to the bottom and DeppвЂ™s name added to the top. The three were then combined into a single banner with the Hatter in the middle, providing a nice look at the filmвЂ™s style that compliments the trailers nicely.

#Alice in wonderland movie series#

So the series of three posters features the characters standing amidst gigantic looking mushrooms and flowers and such. The second set of teasers took each of those characters вЂ“ as well as others like Tweedledee/Tweedledum, Cheshire Cat and the Rabbit, and placed them within the filmвЂ™s world. They all are pretty good and certainly lay out each character fairly well, giving each on a moment to shine for the audience. A later set added one-sheets for Tweedledee/Tweedledum, The White Rabbit and The Cheshire Cat. So the Red Queen is set against heart-covered wallpaper, the White Queen against a series of white hearts, the Hatter against a kaleidoscope of hats and Alice is placed on a tea set with a background of key holes. The first set of teaser posters featured the first four main characters against backgrounds that more or less fit with their settings. So letвЂ™s see how the marketing has played out. And, like Avatar, itвЂ™s being positioned as a movie not only to be enjoyed but to be enjoyed in 3D as a way to fully appreciate and immerse yourself in the directorвЂ™s vision. The movie is largely done in computer animation in much the same way Avatar was, where minimal sets were created for the actors вЂ“ in costume and not motion-captured, though many of them have their appearance altered to be more cartoonish вЂ“ to move around before all the details were filled in by computer artists doing their thing. Wonderland has fallen upon hard times as The Red Queen has become more powerful and the inhabitants, from the Hatter to the White Rabbit and everyone else whoвЂ™s on the side of the good guys, need AliceвЂ™s help to restore order to their world. Depp plays The Mad Hatter in this story, which has Alice returning to Wonderland a few years after the events of the first, most commonly known story. He seems to have been given that very opportunity with Alice in Wonderland, the latest movie heвЂ™s directed and the latest such effort that features a starring turn from his frequent collaborator Johnny Depp. Being an illustrator in the early part of his career and someone whoвЂ™s obviously drawn to stories about those are definitively not part of normal society that makes sense and when heвЂ™s given the room to create an entire world he obviously thrives artistically. Whether itвЂ™s the pastel suburbia of Edward Scissorhands, the dark palette of Batman or the dark grays of Sweeney Todd his best films always seem to thrive on being extensions of BurtonвЂ™s arguably unique (and sometimes downright twisted) visual sense. There are very few films in director Tim BurtonвЂ™s film history that arenвЂ™t visually striking on some level or another.